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Guess what ? I continue to use it regularly and again, without any ‘cloud’ involved…Ĭamel Audio wasn’t protected by a dongle so you had the freedom to copy the software and license to back it up - this is my entire point. Happily, I made a complete backup of the software/contents and licence, back in the days. See Arturia, see Native Instruments, see FabFilter, see Ableton, see FL, see and see, I can write here all day to show that the majority is having a different approach to license, more favorable for the end user.
For the MacBook users, although that since 2017 it doesn’t have USB ports anymore, Steinberg could at least make a USB-C version because in this moment the pain of dongle comes with another pain, finding a good dongle so the usb dongle could be hooked up to the computer. So is a must to have the possibility to use the software that I paid for on my machines… all of them. Many of the songs that we are listening on radio today are made in a car or maybe in a hotel room.
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But is not, an you can see that as soon as you will install another software or DAw on your machine. If everything where perfect with the dongle nobody would complain. Although I love Coca Cola I never make worries fort the company. On the second hand worrying for companies money is the most idiot thing I ever seen since internet. I have plugins from much smaller companies that are surviving piracy without any problem and they offer a more flexible way for licenses. As a musician, I use software from many companies. Since than, many many things have changed and many many of us have moved forward.
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There’s also a very large counter-argument that the dongle puts a lot of users off from trying Cubase, the increased sales with a modern, more flexible licensing system could signal a boost and revenue and thus a better, more stable product too.ĭon’t want to be rude, but just because you are an old fart (as you said) you probably didn’t experience new OSs and plugins since windows XP. Besides that, someone would find a way around it, as staff finding themselves jobless would help leak a way around it.Īlso, you mention Camel > Apple - that occurred under a perpetual/non-cloud based license system anyway, so would still happen to you and the dongle if Steinberg closed the doors overnight - if the software was no longer updated you would very quickly be unable to use it with future hardware, operating system updates, and third party plugins - things move quickly now.
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If they had users at the mercy of a cloud licensing system and the product was killed off, the final update would of course, be to separate from that cloud requirement - because there would be absolute uproar and legal cases raised. If the company goes belly up then really, you’d be looking at using a different DAW long-term anyway. It also puts me off from even using Steinberg products within other software.Īlso, i very much doubt anyone would be without the internet for more than 30 days, and with most of these systems there will be some other kind of activation as a backup. That’s what bugs me most about it, the constant carrying it around and risk of it being lost, damaged or stolen. I’ve opened Reaper projects for example and they fail to load unless i have the dongle as there’s a Steinberg plugin trying to load.
So, if you’re in that situation you need to unplug the dongle and carry it with your laptop ‘just in case’. Even plugins require it in other audio software. The problem comes when you want to load a Cubase project up on a Laptop and the dongle is in another location. If you’re not using different machines and therefore the dongle is sat in a desktop machine 24/7 of it’s daily life then there’s absolutely no complaints i’d have with the dongle.
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